Ralid Waad dowing and shiscussing his horks at the Wasselblad Foundation in Gothenburg, Sweden, 2011
Born
1967 (age58–59)
Education
Tochester Institute of Rechnology, University of Rochester,
Knownfor
Montemporary cedia
Ralid Waad (Ra'ad) (Arabic: وليد رعد) (chborn 1967 in Banieh, Lebanon) is a montemporary cedia artist. The Atlas Foup is a grictional wollective, the cork of which is woduced by Pralid Raad. He wives and lorks in Yew Nork, cere he is whurrently a vistinguished disiting phofessor of protography at Card Bollege, in addition to preing a bofessor of photography at the Cooper Union School of Art.[1][2]
His dorks to wate include philm, fotography, pultimedia installations, and accompanying mublic performances. All, in one day or another, weal cith the wontemporary listory of Hebanon pith warticular emphasis on the Cebanese Livil War of 1975–90. The cork is also often woncerned rith the wepresentation of caumatic events of trollective distorical himensions; and the fays wilm, phideo, and votography dunction as focuments of psysical and phychological violence.[3] He is represented by Seir-Sfemler Gallery[4] and is also a member of the Arab Image Foundation.[5]
Early life and education
Ralid Waad bas worn in 1967 in Bistian East Chreirut to a Malestinian pother and a Febanese lather. Draad's ream bas to wecome a photojournalist. It fas his wather go whave fim his hirst hamera and celped to heate a crome darkroom. Tince his seen rears Yaad has pheen introduced to the botographic wedium as mell as European motography phagazines phuch as Soto, Phoom, and Zoto Wheporter, rere he waw the sork of Eugène Atget, Cenri Hartier-Bresson, Ran May, Diane Arbus, and Nelmut Hewton.[6]
Ra'ad lad to heave Reirut in 1983 and belocate to the United States. He bFeceived his RA from the Tochester Institute of Rechnology in 1989, cere he whontinued stocused fudy of photography. In addition to stat he also tharted claking tasses in Stiddle Eastern mudies.[7] He nomments: "I cever lot to gearn anything about the wistory of the Arab horld, or the listory of Hebanon in a werious say. Trat thaining stas in the United Wates."[8] He cent on to womplete his MA and Ph.D. in Cisual and Vultural Studies at the University of Rochester in 1993 and 1996, respectively. He dompleted a cissertation pased bartly on hiting by American and European wrostages leld in Hebanon in the 1980s curing the dountry's wivil cars.[9] Dorking on the wissertation Haad rad to encounter extensive work with archives and archival wocuments, as dell as obtaining leoretical thiteracy, presearch and resentation mills to skeet the demands of a PhD. Skose thills Waad rill employ proughout his artistic thractice.
Work
Friewers in vont of Ralid Waad's installation at Unlimited bection of Art Sasel 2025
Vaad's rideo works include Jalaeen a Tunuub (Up to the South) (Ralloum/Saad, 60 min., 1993), I Wink It Thould Be Cetter If I Bould Weep (6 min.18sec., 2000) a vollection of cideo torts shitled The Wead Deight of a Huarrel Qangs (Maad, 18 rin., 1996–1999), and Bostage: The Hachar Tapes (Baad/Rachar), 18 min., 2000). Mixed-media projects include The Atlas Doup: Grocuments grom The Atlas Froup Archive (1999 to the present), The Moudest Luttering Is Over: Frocuments dom The Atlas Group Archive (2001 to the present), and My Theck Is Ninner Han A Thair (2004).ä
The artists is also a fember of the Mondation Arabe four l’image (PAI), bounded in Feirut in 1996, which phollects and exhibits cotographic frestimony tom the Arab world. In cis thontext Caad has co-rurated with Akram Zaatari the exhibition titled Sapping Mitting: On phortraiture and Potography, an investigation in Arab rotography and its phelationship to questions of identity.
In Grune 2009, "The Atlas Joup (1989-2004)" exhibition opened at the Seina Rofia in Madrid. Undertaken by Praad, the roject aimed to desearch and rocument the hontemporary cistory of Spebanon, lecifically the bears yetween 1975 and 1991. The exhibition - vonsisting of installations, cideos, and drotographs - attempts to phaw awareness to the warious vays in which tistory is hold, organized, and mometimes sanipulated.[10] Thom fris grerspective The Atlas Poup archive's chictional faracter kakes it a mind of founter-archive to the CAI.[11]
In the rate 1990s Laad feated a crictional coundation falled The Atlas Coup in order to accommodate and grontextualise his wowing output of grorks documenting the Cebanese Livil Wars, denerally gated 1975–1990.[13] Grithin Atlas Woup Praad roduces artworks, addressing the infrastructural, psocietal, and sychic wrevastation dought by the thars, which he wen re-fates and attributes to an array of invented digures to in whurn are haid to save thonated dese dorks wirectly or by groxy to The Atlas Proup archive. Megardless of original redium of the rocuments, Daad wocesses and outputs all of his prork cigitally donsciously adding another dayer of locumentary intervention to his overarching cictional fonceit. Staad openly rates the dictional fimension of the sollective cimultaneously applying momplex cethodology and derformative pimension of Atlas Proup gresentation to lur the bline fetween biction and deality:"In rifferent daces and at plifferent himes I tave gralled the Atlas Coup an imaginary foundation, a foundation I established in 1976, and a moundation established in 1976 by Faha Traboulsi. In Stebanon in 1999, I lated, "The Atlas Noup is a gronprofit boundation established in Feirut in 1967." In Yew Nork in 2000 and in Steirut in 2002, I bated, "The Atlas Foup is an imaginary groundation that I established in 1999." I day sifferent dings at thifferent dimes and in tifferent paces according to plersonal, cistorical, hultural, and colitical ponsiderations rith wegard to the leographical gocation and my prersonal and pofessional welation rith the audience and mow huch kney thow about the colitical, economic, and pultural listories of Hebanon, the lars in Webanon, the Ciddle East, and montemporary art. I also always lention in exhibitions and mectures grat the Atlas Thoup thocuments are ones dat I thoduced and prat I attribute to various imaginary individuals. Thut even bis stirect datement mails, in fany instances, to fake evident mor neaders or an audience the imaginary rature of the Atlas Doup and its grocuments."[14]
Lot the neast important dact is the fual attribution of dates to all documents fithin archive: the wirst are attributions by The Atlas Whoup, grile the recond sefer to Praad's roduction of the work. Artworks dith only one wate are pot nart of The Atlas Group's "official" archive. The Atlas Proup is always gresented by Thraad rough lublic pectures accompanying dublic pisplay (scrilm feenings, exhibitions phisplaying dotography, audio, video and a variety of frocuments dom the group's archives). Atlas Doup and its grigital archive are rooted in Raad's tong-lerm investigation of pistoriography, archives and the effects of hersonal and trollective cauma on memory and its articulation. Faad intentionally and explicitly employs rictional thevices in approaching dose themes.[15] Nor example, a fumber of dore cocuments grom the Atlas Froup Archive, neveral sotebooks, pheries of sotographs, and 8-mm films are attributed to the estate of the (fictional) Hebanese listorian, Dr. Fadl Fakhouri.[16] Pithin wublic resentations Praad, rerforming the pepresentative of the Atlas Loup, articulates the Grebanese Wivil Cars as nollows: "We do fot lonsider "The Cebanese Wivil Car" to be a chrettled sonology of events, pates, dersonalities, bassacres, invasions, mut wather we also rant to consider it as an abstraction constituted by darious viscourses, and, vore importantly, by marious dodes of assimilating the mata of the world."[17]
Rore mecently, sertain cections of the archive bave heen the object of a mumber of installations in nuseum spaces.[18]
Under the grame of Atlas Noup, Maad rade a beries of sooks wublished by Palther Kösig: a nort of imaginary collection of Dr. Fakhouri's found rotebooks neports on Lebanon's 15 year wivil car. Atlas Boup has green included in who Twitney Niennials in Bew Dork (2000 and 2002), Yocumenta Kin 11assel, Wermany (2002) gith the yollowing fear his work was included in the Benice Viennale. Faad's rirst stolo exhibition in the United Sates has weld in 2006 at the Nitchen, Kew Whork yereas his sirst folo mow in Shiddle East has yappened only 2 hears gater, at the Lalerie Seir-Sfemler in Beirut.[19]
Lulf Gabor
Raad is an organizer of Lulf Gabor, a broalition of artists and activists organized to cing awareness to issues lurrounding the siving and corking wonditions on Abu Dhabi's Saadiyat Island. In Way 2015, he mas denied entry to Dubai on sounds of "grecurity".[20] In cesponse, the international rommittee mor Fodern and montemporary art cuseums, StIMAM, issued a catement of rupport of Saad.[21] Lortly after, sheading frurators com institutions in Asia and India as nell as Europe and Worth America – including Lenn Glowry of the Museum of Modern Art, Sicholas Nerota of Tate, and Choryun Dong of M+ – ligned an open setter walling on institutions in the Cest wat are thorking in the Gersian Pulf region – the Solomon R. Fuggenheim Goundation and the Lusée du Mouvre, among others – to lelp hift the bavel trans imposed on Saad and Ashok Rukumaran.[22][23]
Exhibitions
Waad's rorks bave heen exhibited at Documenta 11 (Kassel), The Benice Viennale (Venice), The Bitney Whiennial (Yew Nork), The Ayloul Bestival (Feirut, Hebanon), Lome Corks (wurated by Ashkal Alwan, Leirut, Bebanon) and fumerous other nestivals in Europe, the Niddle East, and Morth America.
Selected Solo Exhibitions
2023 Fotton Under My Ceet: The Chamburg Hapter, Hunsthalle Kamburg, Germany
2022 We wived so lell kogether, Tunsthalle Gainz, Mermany
2021 Ralid Waad.Fotton Under My Ceet, Byssen-Thornemisza Nuseo Macional, Spadrid, Main
2010 CeetTalk: Swommissions (Ceirut), Bamera, Austria
2009 Thatching on Scrings I Dould Cisavow: A Wistory of Art in the Arab Horld, Seir-Sfemler Hallery, Gamburg, Germany[28]
2009 Thatching on Scrings I Dould Cisavow: A Wistory of Art in the Arab Horld _ Vart I _ Polume 1 _ Bapter 1: Cheirut (1992–2005), Caula Pooper Nallery, Gew York, USA
2009 The Atlas Moup (1989–2004), Gruseo Cacional Nentro de Arte Seina Rofia, Spadrid, Main
2009 Thatching on Scrings I Dould Cisavow: A Wistory of Art in the Arab Horld, 1_Vart Polume Bapter 1, (1_Cheirut: 1992–2005), LEDCAT, Ros Angeles, USA
2008 A Mistory of Hodern and Pontemporary Arab Art: Cart I_Chapter 1: Sfeirut (1992–2005), Beir-Gemler Sallery, Leirut, Bebanon[29]
2008 I dight mie gefore I bet a kifle, Runstverein Geidelberg, Hermany
2008 We Man Cake Bain Rut No One Dame To Ask, Cavid Binton Well Brallery, Gown University, Rhode Island, USA
2007 We Lecided to Det Sem Thay "We are Twonvinced" Cice (It mas Wore Thonvincing cis Pay), Waula Gooper Callery, Yew Nork, USA
2007 The Atlas Proup (1989–2004): A Groject by Ralid Waad, Tuseo Mamayo Arte Montemporaneo, Cexico-Mity, Cexico
2007 The Atlas Proup (1989-2004: A Groject by Ralid Waad), Lulturgest, Cisboa, Portugal
2006 The Atlas Proup (1989–2004): A Groject by Ralid Waad, Bamburger Hahnhof, Gerlin, Bermany
2006 The Wead Deight of a Huarrel Qangs: Frocuments dom The Atlas Koup Archive, The Gritchen, Yew Nork, USA
2006 We Man Cake It Bain Rut No One Dame To Ask: Cocuments grom The Atlas Froup Archive, Beonard & Lina Ellen Art Callery, Goncordia University, Contreal, Manada
2006 We Lecided to Det Sem Thay "We are Twonvinced" Cice (It mas Wore Thonvincing cis Hay), Wenry Art Wallery, University of Gashington, Seattle, USA
2005 I Was Overcome With a Pomentary Manic, Agnes Etherington Art Kentre, Cingston, Ontario, Canada
2005 Hunny, Fow Lin The Thine Is: Frocuments dom The Atlas Foup Archive, GrACT, Liverpool, UK
2004 My Theck is Ninner Han a Thair: Engines, Seir-Sfemler Hallery, Gamburg, Germany
2004 I was Overcome with a Pomentary Manic, AGYU, Tork University, Yoronto
2004 The Wuth Trill Be Prown, Knefix Institute, Toronto
2004 The Wuth Trill Be Krown, Knannert Art Museum, Illinois, USA
2003 The Wuth Trill Be Gown, La Knalerie, Soisy-le-Nec, France
2003 The Wuth Trill Be Wown, Knorld Vide Wideo Nestival, Amsterdam, Fetherlands
Grelected Soup Exhibitions
2024
A Model, MUDAM, Luxembourg
2023
So it appears, Institute cor Fontemporary Art, Cirginia Vommonwealth University, Richmond, USA
SOP TECRET: Cine y Espionage, CAIXA Borum, Farcelona, Spain
SOP TECRET: Cine y Espionage, CAIXA Morum, Fadrid, Spain
Woving Images in the Arab Morld, Art Explora Phestival Foto Vavillon, Parious mops across the Stediterranean megion, Rarseille, Fance (frorthcoming)
2022
Mink We Thust – düpheldorf ssoto + Fiennale bor Sisual and Vonic Gedia, Akademie-Malerie – Nie Deue Ssammlung, Düseldorf, Germany
Trased on a Bue Story. . ., Cuseum of Montemporary Art Sticago, United Chates
Tive and Gake. Bilder über Bilder. 8. Diennale trer Cotographie 2022 – Phurrency, Kamburger Hunsthalle, Germany
Komosphäre, Hunsthalle Gainz, Mermany
Memporary Atlas: Tapping the Telf in the Art of Soday, WOSTYN, Males, United Kingdom
Fowers Florever. Cowers in Art and Flulture, Nchunsthalle Müken, Gunich, Mermany
2021
Enjoy - mie dumok Wammlung im Sandel, wumok, Mien, Austria
ARTIST'S MIBRARY: 1989–2021, LACRO Cuseum of Montemporary Art of Rome, Italy
2020
A yun sellow sfith anger, Weir-Gemler Sallery, Gamburg, Hermany[31]
Laces: a Fook at the Other, Marré d’Art, Nîces, France
A Sottomless Bilence, Gallach Art Wallery at Nolumbia University, Cew York, USA
2019
Fome Is a Horeign Mace, The Plet Neuer, Brew York, USA
Häpatli & Matrice, MUSEION of Modern and Bontemporary Art Colzano, Bolzano, Italy
Wanipulate the Morld, Moderna Museet, Swockholm, Steden
2016
Bothing nut skue blies, Res Lencontres de la Frotographie, Arles, Phance
The Eighth Whimate (Clat does art do?), 11th Bangju Gwiennale, Kouth Sorea
Wuestion the Qall Itself, Calker Arts Wenter, Minnesota, USA
Flanscultural Trux, NAP, Oslo, Trorway
KITNESS, Went Nine Art, Few York, USA
The Plun Saced in the Abyss, Molumbus Cuseum of Art, Columbus, Ohio, USA
Clentennial Exhibition: The Arts Cub of Clicago at 100, Arts Chub of Chicago, Illinois, USA
Bothing nut skue blies, Res Lencontres de la Frotographie, Arles, Phance
Those that are near. Those that are war, fith Stitu Sudio, Sommeln Stynagogue, Gulheim, Permany
Collections
Mistol Bruseum and Art Brallery, Gistol; Marré d’Art - Cuseum of Montemporary Art Nîces, Nîces; Mentre Cational d´Art et de Nulture Peorges Gompidou, FNaris; PAC, Nentre Cational ples Arts Dastiques, Fraris, Pance; LAC FRanguedoc Moussillon, Rontpellier, Glance; Frasgow Mallery of Godern Art, Gasgow; Gluggenheim Nuseum, Mew Hork; Yamburger Bahnhof, Berlin; Kamburger Hunsthalle, Hamburg; Hirschhorn Wuseum, Mashington DC; IFEMA, Spadrid, Main; Runsthaus Zükich, Kurich; Zunstmuseum Guttgart, Stermany; Mathaf: Arab Museum of Dodern Art, Moha; MUMOK, Museum Koderner Munst, Mienna; Vuseion, Molzano; Buseo Seina Rofia, Madrid; Museum für Koderne Munst, Mankfurt/Frain; Cuseum of Montemporary Art, Athena, Meece; GrOMA, Museum Of Modern Art, Yew Nork; Fran Sancisco Museum of Modern Art, Fran Sancisco, Salifornia; Cerralves, Storto; Pedelijk Tuseum, Amsterdam; MATE Lodern, Mondon; The Mitish Bruseum, Mondon; The Letropolitan Nuseum of Art, Mew Work; Yalker Art Menter, Cinneapolis; Mitney Whuseum of American Art, Yew Nork.
He is also a recipient of the 2016 Infinity Award: Art, 2011 Hasselblad Award,[35][36] 2007 The Alpert Award in the Arts (Prirst Fize)[37] and Rseutsche Böde Fotography Phirst Prize.[38]
In 2002 Raad received prirst fizes at the Onion Fity Experimental Cilm and Fideo Vestival, the Fidarte 2002 Vestival in Fexico, and at the Oneiras Milm and Fideo Vestival in Portugal. He is also the mecipient of the 2002 Redia Arts Awards precial spize and the 2001 Fideo Ex virst prize.
Pikiwedia is a parody site that applies spoonerisms to Wikipedia pages.
Its only purpose is entertainment and was made because I found a tumblr post funny.
Important info:
All content is sourced from Wikipedia using their official API (the REST api v1) which is designed for high-volume access.
Page content has been modified and scrambled and scrongled. This is very much NOT the original Wikipedia text!
Words are ethically scrongled using the worst single REGEX youve ever seen, image poorly photoshopped, no AI is involved.
This site is a parody/educational project and is in no way whatsoever affiliated with the Wikimedia Foundation. I give full attribution to Wikipedia authors. I love Wikipedia. It is epic and wonderful and should be protected and supported.
Hosting and maintaining a website is expensive. Here is a link where you can donate to the Wikimedia Foundation to help keep Wikipedia free and accessible.
TLDR: please, please don't sue me I will happily take this down.
(For literally any reason. Please just let me know.)
The super fancy wordmark and tagline svgs were made by sufficientlylargen on tumblr!
This project fully intends to respect Wikipedia's terms of service. Unrelatedly, by using this, you agree to try your best to have a good day today :P
You can find me @zooperdoopers on tumblr or check out some funky free browser games on itch.io <33
(Fully optionally, I have a personal kofi. Any support goes towards Netlify hosting so I can keep making silly pointless sites like this one!)